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vinceveretts: June 5, 1956 ▸ Elvis performs “Hound Dog” on The Milton Berle Show. (…) as the song comes to an end he is dragging the microphone down to the floor, staggering almost to his knees. Scotty and D.J. and Bill keep their eyes glued on him, there is only the slightest flicker of surprise as he points at the audience and declares emphatically, You ain’t nothin’ but a hound dog, then goes into his patented half-time ending, gripping the mike, circling it sensuously, jackknifing his legs out as the audience half-screams, half-laughs, and he laughs, too — it is clearly all in good fun. — (From Last Train to Memphis by Peter Guralnick, 1994)
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vinceveretts: June 5, 1956 ▸ Elvis performs “Hound Dog” on The Milton Berle Show. (…) as the song comes to an end he is dragging the microphone down to the floor, staggering almost to his knees. Scotty and D.J. and Bill keep their eyes glued on him, there is only the slightest flicker of surprise as he points at the audience and declares emphatically, You ain’t nothin’ but a hound dog, then goes into his patented half-time ending, gripping the mike, circling it sensuously, jackknifing his legs out as the audience half-screams, half-laughs, and he laughs, too — it is clearly all in good fun. — (From Last Train to Memphis by Peter Guralnick, 1994)
Zoom
vinceveretts: June 5, 1956 ▸ Elvis performs “Hound Dog” on The Milton Berle Show. (…) as the song comes to an end he is dragging the microphone down to the floor, staggering almost to his knees. Scotty and D.J. and Bill keep their eyes glued on him, there is only the slightest flicker of surprise as he points at the audience and declares emphatically, You ain’t nothin’ but a hound dog, then goes into his patented half-time ending, gripping the mike, circling it sensuously, jackknifing his legs out as the audience half-screams, half-laughs, and he laughs, too — it is clearly all in good fun. — (From Last Train to Memphis by Peter Guralnick, 1994)
Zoom
vinceveretts: June 5, 1956 ▸ Elvis performs “Hound Dog” on The Milton Berle Show. (…) as the song comes to an end he is dragging the microphone down to the floor, staggering almost to his knees. Scotty and D.J. and Bill keep their eyes glued on him, there is only the slightest flicker of surprise as he points at the audience and declares emphatically, You ain’t nothin’ but a hound dog, then goes into his patented half-time ending, gripping the mike, circling it sensuously, jackknifing his legs out as the audience half-screams, half-laughs, and he laughs, too — it is clearly all in good fun. — (From Last Train to Memphis by Peter Guralnick, 1994)
Zoom
vinceveretts: June 5, 1956 ▸ Elvis performs “Hound Dog” on The Milton Berle Show. (…) as the song comes to an end he is dragging the microphone down to the floor, staggering almost to his knees. Scotty and D.J. and Bill keep their eyes glued on him, there is only the slightest flicker of surprise as he points at the audience and declares emphatically, You ain’t nothin’ but a hound dog, then goes into his patented half-time ending, gripping the mike, circling it sensuously, jackknifing his legs out as the audience half-screams, half-laughs, and he laughs, too — it is clearly all in good fun. — (From Last Train to Memphis by Peter Guralnick, 1994)
Zoom
vinceveretts: June 5, 1956 ▸ Elvis performs “Hound Dog” on The Milton Berle Show. (…) as the song comes to an end he is dragging the microphone down to the floor, staggering almost to his knees. Scotty and D.J. and Bill keep their eyes glued on him, there is only the slightest flicker of surprise as he points at the audience and declares emphatically, You ain’t nothin’ but a hound dog, then goes into his patented half-time ending, gripping the mike, circling it sensuously, jackknifing his legs out as the audience half-screams, half-laughs, and he laughs, too — it is clearly all in good fun. — (From Last Train to Memphis by Peter Guralnick, 1994)
Zoom
vinceveretts: June 5, 1956 ▸ Elvis performs “Hound Dog” on The Milton Berle Show. (…) as the song comes to an end he is dragging the microphone down to the floor, staggering almost to his knees. Scotty and D.J. and Bill keep their eyes glued on him, there is only the slightest flicker of surprise as he points at the audience and declares emphatically, You ain’t nothin’ but a hound dog, then goes into his patented half-time ending, gripping the mike, circling it sensuously, jackknifing his legs out as the audience half-screams, half-laughs, and he laughs, too — it is clearly all in good fun. — (From Last Train to Memphis by Peter Guralnick, 1994)
Zoom
vinceveretts: June 5, 1956 ▸ Elvis performs “Hound Dog” on The Milton Berle Show. (…) as the song comes to an end he is dragging the microphone down to the floor, staggering almost to his knees. Scotty and D.J. and Bill keep their eyes glued on him, there is only the slightest flicker of surprise as he points at the audience and declares emphatically, You ain’t nothin’ but a hound dog, then goes into his patented half-time ending, gripping the mike, circling it sensuously, jackknifing his legs out as the audience half-screams, half-laughs, and he laughs, too — it is clearly all in good fun. — (From Last Train to Memphis by Peter Guralnick, 1994)
Zoom
vinceveretts: June 5, 1956 ▸ Elvis performs “Hound Dog” on The Milton Berle Show. (…) as the song comes to an end he is dragging the microphone down to the floor, staggering almost to his knees. Scotty and D.J. and Bill keep their eyes glued on him, there is only the slightest flicker of surprise as he points at the audience and declares emphatically, You ain’t nothin’ but a hound dog, then goes into his patented half-time ending, gripping the mike, circling it sensuously, jackknifing his legs out as the audience half-screams, half-laughs, and he laughs, too — it is clearly all in good fun. — (From Last Train to Memphis by Peter Guralnick, 1994)
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vinceveretts:

June 5, 1956 ▸ Elvis performs “Hound Dog” on The Milton Berle Show.

(…) as the song comes to an end he is dragging the microphone down to the floor, staggering almost to his knees. Scotty and D.J. and Bill keep their eyes glued on him, there is only the slightest flicker of surprise as he points at the audience and declares emphatically, You ain’t nothin’ but a hound dog, then goes into his patented half-time ending, gripping the mike, circling it sensuously, jackknifing his legs out as the audience half-screams, half-laughs, and he laughs, too — it is clearly all in good fun.

— (From Last Train to Memphis by Peter Guralnick, 1994)

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